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Why I sing

Josh Krugman | Bass
For those moments. Those moments right before the first note is played in concert, when a passage of music clicks in vocally during a rehearsal, when 80 voices finally come together, when your sound lines up perfectly and making music becomes effortless. I sing for those little moments that are personal and shared at the same time.













 





Our Season Finale

A Night at the Opera  Saturday, May 19, Biltmore Hotel
Our spring concert will be quite a bit different. We’ve reserved the Grand Ballroom at the Biltmore Hotel for a glorious journey through the world of opera, done up in fine formal style as a gala concert to benefit choral education and performance. Count on it: Giuseppe Verdi’s creations will be there for sure, with contributions from Giacomo Puccini, Georges Bizet, Gaetano Donizetti, and a number of their talented friends.  Program details


Audition for the Providence Singers
The Providence Singers will conduct new member auditions by appointment on Monday and Tuesday, May 21 and 22. All voice parts are invited, particularly tenors and basses. Audition times may be scheduled by email or phone at 401-751-5700. More about auditions ....


Position in search
The Providence Singers Board of Trustees has begun the selection process for the organization’s third Executive Director and invites applications from interested and qualified candidates. More information


Your turn

Community Sing to feature Brahms Ein Deutsches Requiem
Artistic Director Christine Noel will conduct a performance of Johannes Brahms’ Ein Deutsches Requiem at 7 p.m. Tuesday, May 29, in the Carter Center. Soprano Sarah Prickel-Kane and baritone Josh Krugman are the featured soloists, Singers pianist John Black is the orchestra of one, and this is your chance to join the chorus and work through the score. You’ve performed it? Bring your score. First time? We’ll have scores to lend you, and Singers members will be scattered throughout the chorus to provide vocal and moral support. Your $10 donation helps cover costs and includes a post-performance victory lap reception. Doors open at 6:30 p.m.
Travel directions  |  More information: Call the Singers office at 401-751-5700


Recordings of the Providence Singers

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Dan Forrest: Requiem for the Living
Dan Forrest’s Requiem for the Living proved to be a powerful work in performance for both singers and listeners. He wrote it in 2013. The Providence Singers performed it in November 2014, together with three Bach motets. Little more than two years after the concert, the Singers had finished its initial Kickstarter campaign, raised additional funds, and booked a recording session at Mechanics Hall in Worcester. The CD was released December 5, 2017.
Notes and text  |  Download at iTunes | Amazon | Google Play

Lou Harrison: La Koro Sutro
La Koro Sutro, sung entirely in Esperanto and accompanied by an American gamelan — built for performances in Boston and Providence by our friends at the Boston Modern Orchestra Project — was exotic, immediately engaging, and unlike anything the Singers had encountered before or performed since. BMOP paired the Singers’ recording of La Koro Sutro with Harrison’s Suite for Violin and American Gamelan to make an extraordinary CD, released in July 2014. Program Notes  |  Read the Globe’s review

Dominick Argento: Jonah and the Whale
Jonah was a difficult prophet. He tried to wriggle out of divine assignments and whined loudly enough to annoy even God. Dominick Argento used medieval poetry, the Book of Jonah and other sources to prepare the libretto for this composition, preserving ancient alliterations and a great deal of wit and charm: “Even the casual listener will notice that the whale (the trombone solo in the Intermezzo section) gets the best tune in the work. And this is as it should be since I consider the whale, not Jonah, to be the hero of the piece.” Notes on the work ...

Lukas Foss: The Prairie
Lukas Foss fled Nazi Germany with his family – first to Paris in 1933 and then to the United States in 1937. He was 15 when he arrived in Philadelphia to begin his studies at the Curtis Institute. Foss embraced his new homeland – “... as a boy of 15, I fell in love with America,” he said – becoming a U.S. citizen in 1942. He found Carl Sandburg’s poem when he was 19 and began almost immediately to set it to music, adapting it himself without a librettist. The Singers loved it as well. Notes and composer’s commentary ...