Why I sing
Jim Salomon | Bass
Making a beautiful sound in a group – breathing together, locking onto a pitch — feels great even during warm-ups. Learning a piece of music offers an insider’s view of the composer’s vision — harmony, dynamics, rhythm, text, and the way vocal parts fit together. Choral work is enormously satisfying; sharing an artistic expression with an audience can be transcendent.
Choral performance at a safe social distance
On Saturday, March 28, the Providence Singers and 300 patrons were to gather on the 17th floor of the Biltmore Hotel for a festive gala performance of music from the Broadway stage. That was not to be, of course, but a small group of members has produced a “Virtual Choir” performance of “Somewhere” from Leonard Bernstein’s West Side Story.
Enjoy it now.
Recordings of the Providence Singers
Dan Forrest: Requiem for the Living
Dan Forrest’s Requiem for the Living proved to be a powerful work in performance for both singers and listeners. He wrote it in 2013. The Providence Singers performed it in November 2014, together with three Bach motets. Little more than two years after the concert, the Singers had finished its initial Kickstarter campaign, raised additional funds, and booked a recording session at Mechanics Hall in Worcester. The CD was released December 5, 2017.
Notes and text | Download at iTunes | Amazon | Google Play
Lou Harrison: La Koro Sutro
La Koro Sutro, sung entirely in Esperanto and accompanied by an American gamelan — built for performances in Boston and Providence by our friends at the Boston Modern Orchestra Project — was exotic, immediately engaging, and unlike anything the Singers had encountered before or performed since. BMOP paired the Singers’ recording of La Koro Sutro with Harrison’s Suite for Violin and American Gamelan to make an extraordinary CD, released in July 2014. Program Notes | Read the Globe’s review
Dominick Argento: Jonah and the Whale
Jonah was a difficult prophet. He tried to wriggle out of divine assignments and whined loudly enough to annoy even God. Dominick Argento used medieval poetry, the Book of Jonah and other sources to prepare the libretto for this composition, preserving ancient alliterations and a great deal of wit and charm: “Even the casual listener will notice that the whale (the trombone solo in the Intermezzo section) gets the best tune in the work. And this is as it should be since I consider the whale, not Jonah, to be the hero of the piece.” Notes on the work ...
Lukas Foss: The Prairie
Lukas Foss fled Nazi Germany with his family – first to Paris in 1933 and then to the United States in 1937. He was 15 when he arrived in Philadelphia to begin his studies at the Curtis Institute. Foss embraced his new homeland – “... as a boy of 15, I fell in love with America,” he said – becoming a U.S. citizen in 1942. He found Carl Sandburg’s poem when he was 19 and began almost immediately to set it to music, adapting it himself without a librettist. The Singers loved it as well. Notes and composer’s commentary ...